Hong Kong

Interview: Ann Hui Discusses Style, Purpose, and Expression Across Her Illustrious Career in Hong Kong Cinema

Amidst the 2021 New York Asian Film Festival, famed Hong Kong filmmaker Ann Hui reflects upon her cinematic output from the past four decades.

By Justin Chor Yu Liu

Malaysia

Review: Namewee's "Babi" Offers Dark Allegory of Malaysian Race Relations

By Anthony Kao

Peru

Review: "Las Mejores Familias" Uses Dark Comedy to Explore Peruvian Social Issues

By Kieran Davey

South Korea

Review: Netflix's "D.P." Offers Stirring Take on Hazing and Desertion in South Korea's Army

By Anthony Kao

Hong Kong

Review: "Time" Laments Aging in an Uneven Bag of Comedy, Action, and Drama

By Justin Chor Yu Liu

Taiwan

Review: Taiwanese Road Movie "Mickey on the Road" Meanders Along With Static Characters and Implausibilities

By Brian Hioe

China

Review: "Wuhan Wuhan" Paints Humanistic Picture of Everyday Residents and Medical Workers at Start of COVID-19 Pandemic

By Brian Hioe

Hong Kong

Review: "Raging Fire" Is an Exciting but Unoriginal Hong Kong Cop Drama

By Richard Yu

South Korea

Review: "Escape from Mogadishu" Views North-South Korea Relations Through a Pragmatic Lens

By Anthony Kao

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Hong Kong

Interview: Ann Hui Discusses Style, Purpose, and Expression Across Her Illustrious Career in Hong Kong Cinema

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Hong Kong

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Japan

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South Korea

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Taiwan

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Middle East

Turkey

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Italy

Review: Oscar-Submitted "Notturno" Paints a Hauntingly Beautiful Post-Conflict Levant

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Central Asia

Kazakhstan

Review: "Yellow Cat" Is a Whimsical and Artsy Kazakh Dark Comedy

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Kyrgyzstan

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Trailers

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South Asia

India

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India

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Latin America

Peru

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Mexico

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Action

Japan

Review: In "Office Royale", Japan's Office Ladies Fight...to Preserve Patriarchy

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South Korea

Review: "Escape from Mogadishu" Views North-South Korea Relations Through a Pragmatic Lens

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Japan

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Japan

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Romance

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Review: Netflix's "Sweet & Sour" Shows Modern Korean Romance's Socioeconomic Realities

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South Africa

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China

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Hong Kong

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