Cinema Escapist
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Ukraine
“20 Days in Mariupol” and “Invisible Nation” Vie for America’s Attention on Ukraine and Taiwan
By
Anthony Kao
Japan
Review: Eco-Fable “Evil Does Not Exist” Marks Ryûsuke Hamaguchi’s Post-Oscar Return
By
Kieran Davey
Taiwan
Review: “Seven Days in Heaven” Blends Youthful and Flippant Rebellion With Distinct Taiwanese Flavor
By
Brian Hioe
Taiwan
Review: “She’s Talking in Island” Depicts A Roving Dialog Between Taiwan’s Sunflower Generation and Gen Z
By
Brian Hioe
Taiwan
Review: Recently Restored Taiwanese Film “Teenage Fugitive” Peeks Back at Tsai Ming-liang’s Earlier Output
By
Brian Hioe
Japan
Review: Japanese Indie Film “Amiko” Depicts the Inner Life of a Quirky Child
By
Brian Hioe
South Korea
Review: “Dauren’s Wedding” Revels in Bigotry about Korean Kazakhs
By
Brian Hioe
Taiwan
Review: “Eye of the Storm” Reimagines Taiwan’s SARS Outbreak through a COVID-Tinged Lens
By
Brian Hioe
China
Review: “Dear Mother I Meant to Write About Death” Offers a Powerful Look at Mortality and Mother-Daughter Relations
By
Brian Hioe
China
Review: “The Cord of Life” Explores Modernity v. Tradition in Inner Mongolian Music
By
Brian Hioe
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