Cinema Escapist
Explore and connect the world through a cinematic lens
Menu
About
Contact
Write for Us
Africa
Asia
East Asia
Southeast Asia
South Asia
Europe
Latin America
Middle East
About
Contact
Write for Us
Europe
Spain
Review: Netflix Thriller “Victim Number 8” Critiques Europe’s Nativist Resurgence
By
Anthony Kao
China
7 Space Movies From Around the World
By
Richard Yu
France
Review: “The Wolf’s Call” Shows France Still Has Military—And Cinematic—Relevance
By
Anthony Kao
Germany
Review: “Transit” Shows Hollywood Love Can’t Beat Fascism
By
Matt Gill
News
Review: Ai Weiwei’s “The Rest” Offers a Scathing Critique of Europe for Denying Human Dignity to Refugees
By
Emily Hsiang
Ireland
Review: “The Lonely Battle of Thomas Reid” Depicts Two Irelands At War
By
Oscar Harding
Sweden
Interview: Director Erik Gandini Explores Loneliness in Sweden in “The Swedish Theory of Love”
By
Emily Hsiang
Commentary
The Bruce Lee Statue That Sought to Unify a Divided City
By
Timon Singh
Russia
Review: “Salyut 7” is Russia’s “Apollo 13” — With A Geopolitical Twist
By
Anthony Kao
Turkey
The Rise and Fall of the Turkish “Mockbuster”
By
Timon Singh
More Articles