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Japan

Review: “Wife of a Spy” Is an Elegant Musing on Japanese Fascism from a Civilian’s Perspective

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Iran

Review: Manijeh Hekmat’s “Bandar Band” Is An Empathetic Road Trip Through A Flood-Stricken Iran

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China

Review: “The Best Is Yet to Come” Views China’s Hepatitis B Discrimination Through An Auteur Lens

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Japan

Interview: Joe Odagiri On “They Say Nothing Stays the Same,” His Scenic Directorial Debut

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Venezuela

Review: “Once Upon a Time in Venezuela” Is an Immersive Dive Into a Vanishing Village

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Palestine

Review: “Gaza Mon Amour” Is an Irresistibly Charming Film About Love And Desire

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Taiwan

Review: Zombie Movie “Get the Hell Out” Satirizes the Spectacle of Taiwanese Politics

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China

Review: “The Eight Hundred” Shows Valiant Chinese Heroes, But Falls Short of a Good War Movie

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Philippines

Rae Red Talks “Babae at Baril,” Her Feminist Film About Philippine Realities

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Taiwan

Taiwan’s Stylish Romcom “IWeirDo” Tackles Love and Mental Illness with a Strong Visual Aesthetic

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