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Iran
Review: Saeed Roustaee’s “Just 6.5” Brutally Depicts Iran’s Drug Crisis
By
Lorna Codrai
Ghana
Review: “Sakawa” Documents Ghana’s Internet Romance Scammers
By
Oscar Harding
Hong Kong
Review: “Enter The Fat Dragon” Succeeds With Charm As Donnie Yen’s Foray Into Action-Comedy
By
Xingting Gong
Tunisia
Review: Tunisia’s “Un Fils” Spotlights A Marriage and Country In Crisis
By
Lorna Codrai
China
Review: “The Wild Goose Lake” Is A Stunningly Beautiful Noir That Lacks Depth
By
Brenda Chang
South Korea
Review: “The Man Standing Next” Stars Lee Byung-hun As Park Chung-hee’s Assassin
By
Anthony Kao
India
Review: “Chhapaak” Uses Acid Attacks to Highlight Victimization of Women in India
By
Srujana Yadlapalli
Malaysia
Review: Netflix’s “The Ghost Bride” Brings Malaysian Chinese Superstition To Life
By
Anthony Kao
South Korea
Review: “Kim Ji-young, Born 1982” Shows How Korean Society Has Internalized Sexism
By
Xingting Gong
South Korea
Review: K-Drama “Crash Landing On You” Appeals to Both Romantics and Political Junkies
By
Anthony Kao
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