Cinema Escapist
Explore and connect the world through a cinematic lens
Menu
About
Contact
Write for Us
Africa
Asia
East Asia
Southeast Asia
South Asia
Europe
Latin America
Middle East
About
Contact
Write for Us
News
Taiwan
Review: “Demigod: The Legend Begins” Breathes New Life Into Taiwanese Puppetry
By
Brian Hioe
Hong Kong
Review: Hong Kong Biopic “Anita” Merely Strives for Mediocrity
By
Justin Chor Yu Liu
China
Review: Chinese Animation “I Am What I Am” Tells A Working-Class Lion Dance Story
By
Brian Hioe
Taiwan
Review: Taiwanese Horror Movie “Incantation” Offers Familiar Shocks, But Not Innovation
By
Brian Hioe
South Korea
Review: “Broker” Is Hirokazu Kore-eda’s Maturest and Messiest Work to Date
By
Justin Chor Yu Liu
Ukraine
Review: Ukraine War Movie “Sniper: The White Raven” Offers Reliable Action At An Opportune Moment
By
Anthony Kao
Thailand
Review: Thai Movie “One For The Road” Blends Buddy Roadtrip with Emotional Drama
By
Richard Yu
Russia
Review: Russian WWII Movie “The Pilot” Exalts the Survival and Redemption of an Aviator
By
Anthony Kao
China
Review: “Singing in the Wilderness” Thrusts A Miao Church Choir Into the Spotlight
By
Brian Hioe
Malaysia
Review: Namewee’s “Nasi Lemak 1.0” Comically Reimagines Malaysia’s Historical Narrative
By
Anthony Kao
More Articles