News

China

Review: “The Best Is Yet to Come” Views China’s Hepatitis B Discrimination Through An Auteur Lens

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Japan

Interview: Joe Odagiri On “They Say Nothing Stays the Same,” His Scenic Directorial Debut

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Venezuela

Review: “Once Upon a Time in Venezuela” Is an Immersive Dive Into a Vanishing Village

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Japan

Review: “They Say Nothing Stays The Same” Tackles Westernization In Meiji-era Japan

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Palestine

Review: “Gaza Mon Amour” Is an Irresistibly Charming Film About Love And Desire

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South Korea

Review: Netflix’s “Record of Youth” Highlights Millennial Struggles in the Fashion Industry

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Kazakhstan

Review: “Yellow Cat” Is a Whimsical and Artsy Kazakh Dark Comedy

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Taiwan

Review: Zombie Movie “Get the Hell Out” Satirizes the Spectacle of Taiwanese Politics

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South Korea

Review: “Lucky Chan-sil” Displays Burdens of Female Expectations in Korean Society

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South Korea

Review: Korea’s “#Alive” Is a Perfect Zombie Movie for the Coronavirus Era

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