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Japan
Review: Takashi Miike’s “First Love” Is More Violent Than Romantic
By
Richard Yu
China
Review: “Send Me To The Clouds” Is a Feminist Exploration of Expectations Versus Reality
By
Emily Hsiang
South Korea
Review: Netflix’s “Vagabond” Stars Suzy In An Entertaining Conspiracy Thriller
By
Anthony Kao
South Korea
Review: “Tazza: The One Eyed Jack” Mixes the Thrills of High-Stakes Gambling and Heists
By
Richard Yu
China
Review: Chinese Movie Remake of “Midnight Diner” Falls Flat
By
Richard Yu
China
Review: Was China’s “Shanghai Fortress” Really That Bad?
By
Richard Yu
Angola
Review: “Another Day Of Life” Vibrantly Relives Angola’s Civil War
By
Oscar Harding
China
Review: “Fagara” Is a Touching Family Story…and Subtle Political Allegory
By
Richard Yu
South Korea
Review: “The Bad Guys: Reign of Chaos” Pits Korean Cops & Gangsters Against Japan
By
Richard Yu
Russia
Review: Netflix’s “Better Than Us” Imagines a World Where Robots Do The Work
By
Richard Yu
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