Cinema Escapist
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Reviews
Venezuela
Review: “El Father Plays Himself” is an Intimate Glimpse at Family and Addiction
By
Kieran Davey
Taiwan
Review: Taiwan Film “A Leg” Paints Elegantly Wry Picture of an Imperfect Marriage
By
Anthony Kao
South Korea
Review: Netflix K-Drama “Start-Up,” From a Silicon Valley Insider’s Perspective
By
Richard Yu
South Korea
Review: “Deliver Us from Evil” Offers Korean Action With a Thai Backdrop
By
Anthony Kao
Taiwan
Review: Taiwanese Romcom “My Missing Valentine” Explores Perspective Through Breaks in Time
By
Jamin Shih
Russia
Review: Russian Show “To the Lake” Entertainingly Bolsters Netflix’s Pandemic-Era Offerings
By
Anthony Kao
South Korea
How “Steel Rain 2: Summit” Trumpets South Korea’s Left-Wing Political Idealism
By
Anthony Kao
Brazil
Review: Cannes Selection “Memory House” Is a Surrealistic Slow Burn That Fails to Satisfy
By
Kieran Davey
India
Review: “The Disciple” Is a Necessarily Critical Ode to Hindustani Classical Music
By
Arjun Baokar
South Korea
Review: “The Woman Who Ran” Is a Relaxed Triptych That Examines Women And Life
By
Brenda Chang
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