Cinema Escapist
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Reviews
Egypt
Review: Egypt’s First Animated Feature “The Knight and the Princess” Champions Arab Storytelling
By
Lorna Codrai
Japan
Review: What “A Silent Voice” Can Tell Us About Ableism and Tolerance in Japan
By
Lindsay Wong
South Korea
Review: “House of Hummingbird” Paints A Bleak Coming-of-Age
By
Brenda Chang
Iceland
Review: “Rift” Offers LGBT Horror Amongst the Icelandic Wilderness
By
Ben Treloar
South Korea
Korean Film “Beauty Water” Depicts the Horrors of Keeping Up with Beauty Standards
By
Jackie Chen
Uruguay
Review: “La Flor de la Vida” Provides an Intimate Look into the Socially Isolated Lives of the Elderly
By
Kieran Davey
India
Review: Irrfan Khan’s “Blackmail” Is a Convoluted but Entertaining Ride to Depravity
By
Arjun Baokar
Senegal
Review: Mati Diop’s “Atlantics” Depicts Love Amid Desperation and Mysticism
By
Sharon Rwakatungu
South Korea
Review: “The World of the Married” Is an Intense, Controversial Drama About Extramarital Affairs
By
Jianne Soriano
Egypt
Review: “Cairo Station” Offers A Startlingly Prophetic Look At Toxic Masculinity
By
Timothy Niwamanya
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