Cinema Escapist
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Reviews
Taiwan
Review: Recently Restored Taiwanese Film “Teenage Fugitive” Peeks Back at Tsai Ming-liang’s Earlier Output
By
Brian Hioe
Pakistan
Review: Saim Saqid’s “Joyland” Explores Gender and Family in Pakistan
By
JM Sarmiento
Japan
Review: Japanese Indie Film “Amiko” Depicts the Inner Life of a Quirky Child
By
Brian Hioe
South Korea
Review: “Dauren’s Wedding” Revels in Bigotry about Korean Kazakhs
By
Brian Hioe
Taiwan
Review: “Eye of the Storm” Reimagines Taiwan’s SARS Outbreak through a COVID-Tinged Lens
By
Brian Hioe
Independent Films
Review: “Starring Jerry as Himself” Blends Fact and Fiction in a Tale of Scams and Family
By
Brian Hioe
Kazakhstan
Review: Kazakh Indie Film “Mountain Onion” Quirkily Muses About Family, Gender, and Chinese Stereotypes
By
Richard Yu
China
Review: “Dear Mother I Meant to Write About Death” Offers a Powerful Look at Mortality and Mother-Daughter Relations
By
Brian Hioe
Philippines
Review: “12 Weeks” Grapples with Reproductive Rights in the Philippines, Amidst Patriarchy and Conservatism
By
JM Sarmiento
China
Review: “The Cord of Life” Explores Modernity v. Tradition in Inner Mongolian Music
By
Brian Hioe
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