Cinema Escapist
Explore and connect the world through a cinematic lens
Menu
About
Contact
Write for Us
Africa
Asia
East Asia
Southeast Asia
South Asia
Europe
Latin America
Middle East
About
Contact
Write for Us
2020
South Korea
Review: “Deliver Us from Evil” Offers Korean Action With a Thai Backdrop
By
Anthony Kao
Taiwan
Review: Taiwanese Romcom “My Missing Valentine” Explores Perspective Through Breaks in Time
By
Jamin Shih
Russia
Review: Russian Show “To the Lake” Entertainingly Bolsters Netflix’s Pandemic-Era Offerings
By
Anthony Kao
South Korea
How “Steel Rain 2: Summit” Trumpets South Korea’s Left-Wing Political Idealism
By
Anthony Kao
Brazil
Review: Cannes Selection “Memory House” Is a Surrealistic Slow Burn That Fails to Satisfy
By
Kieran Davey
India
Review: “The Disciple” Is a Necessarily Critical Ode to Hindustani Classical Music
By
Arjun Baokar
South Korea
Review: “The Woman Who Ran” Is a Relaxed Triptych That Examines Women And Life
By
Brenda Chang
China
Review: “Jiang Ziya” Features Chinese Mythology Told Through World-Class Animation
By
Xingting Gong
China
Review: Jia Zhangke’s “Swimming Out Till the Sea Turns Blue” Meanders Through Modern Chinese Literature
By
Anthony Kao
Japan
Review: “Wife of a Spy” Is an Elegant Musing on Japanese Fascism from a Civilian’s Perspective
By
Akshay Suggula
More Articles