Cinema Escapist
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Berlinale
Ivory Coast
Review: “Black Tea” Uses Taiwanese Funds to Promote China’s Belt and Road
By
Anthony Kao
Palestine
Review: “No Other Land” Is a Powerful and Immediate Document of the Destruction of West Bank Communities
By
Kieran Davey
South Korea
Review: Korean Action Thriller “Kill Boksoon” Offer Social Relevance and Emotional Undercurrents
By
JM Sarmiento
Spain
Review: Catalan Drama “Alcarràs” Is a Contemplative Ode to Family and Farming
By
Kieran Davey
Romania
Review: “Bad Luck Banging or Loony Porn” Offers A Memorably Irreverent Look at Taboos
By
Anthony Kao
Mexico
Review: “A Cop Movie” Is A Bizarre Mix of Truth and Fiction Centered Around Mexico’s Police
By
Kieran Davey
Japan
Review: Silver Bear Winner “Wheel of Fortune and Fantasy” Plays with Coincidences and Fate
By
Brenda Chang
Hungary
Review: “Natural Light” Explores Hungary’s Role in WWII Abuses
By
Anthony Kao
Taiwan
Review: Tsai Ming-liang’s “Days” Puts Aging and Mortality on Display
By
Kevin Lu
China
Review: “So Long, My Son” Offers Meditative Look At Two Chinese Families Over Three Decades
By
Anthony Kao
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