Cannes

Iran

Review: “The Seed of the Sacred Fig” Is an Urgent Drama of Violence, Paranoia and Female Empowerment

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India

Review: India’s First Cannes Grand Prix Winner “All We Imagine As Light” Is a Gentle Exploration of Womanhood

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Japan

Review: With “Monster”, Hirokazu Kore-eda Redeems Himself By Exploring Tumultuous Youth and Misunderstandings

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South Korea

Review: Lee Jung-jae’s Spy Thriller “Hunt” Paints Familiar Picture of 80’s Korean Politics

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Spain

Review: “The Beasts” Is A Gripping Galician Rural Thriller With Layers Beneath The Surface

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South Korea

Review: “Broker” Is Hirokazu Kore-eda’s Maturest and Messiest Work to Date

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China

“One Hundred Thousand Bad Jokes 2” Set for August 18 Release

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