Cinema Escapist
Explore and connect the world through a cinematic lens
Menu
About
Contact
Write for Us
Africa
Asia
East Asia
Southeast Asia
South Asia
Europe
Latin America
Middle East
About
Contact
Write for Us
Cantonese
Hong Kong
Review: Hong Kong Neo-noir “Limbo” Is Dark in More Ways Than One
By
Justin Chor Yu Liu
Hong Kong
Review: Hong Kong Biopic “Anita” Merely Strives for Mediocrity
By
Justin Chor Yu Liu
China
Review: Chinese Animation “I Am What I Am” Tells A Working-Class Lion Dance Story
By
Brian Hioe
Hong Kong
Review: “Time” Laments Aging in an Uneven Bag of Comedy, Action, and Drama
By
Justin Chor Yu Liu
Hong Kong
Review: “All U Need is Love” is an Insipid and Vaguely Authoritarian Hong Kong COVID Comedy
By
Brian Hioe
Hong Kong
Review: “Hand-Rolled Cigarette” Shows Cross-Racial Friendship in Hong Kong’s Underworld
By
Brian Hioe
Hong Kong
Review: Hong Kong Film “The Way We Keep Dancing” Chooses Not To Sell Out
By
Justin Chor Yu Liu
Macao
Review: “Madalena” Shows Love in the Shadows of Macao’s Casinos
By
Brian Hioe
Hong Kong
Review: “Night is Young” Offers Everyman’s Glimpse at Hong Kong’s Protests
By
Brian Hioe
Hong Kong
Review: “Drifting” Highlights the Dark and Depressing Lives of Hong Kong’s Homeless Population
By
Justin Chor Yu Liu