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Korean
South Korea
How “Steel Rain 2: Summit” Trumpets South Korea’s Left-Wing Political Idealism
By
Anthony Kao
South Korea
Review: “Lucky Chan-sil” Displays Burdens of Female Expectations in Korean Society
By
Jackie Chen
South Korea
Review: Korea’s “#Alive” Is a Perfect Zombie Movie for the Coronavirus Era
By
Anthony Kao
South Korea
Review: “Peninsula” Offers Ample Korean Zombie Action, But Less Originality
By
Woojin Lim
South Korea
Review: “The Shaman Sorceress” Explores Clashes Between Competing Faiths
By
Lindsay Wong
South Korea
Review: “House of Hummingbird” Paints A Bleak Coming-of-Age
By
Brenda Chang
South Korea
Why “Parasite” Is Bong Joon-ho’s Biggest Hit and Darkest Film Yet
By
Minsoo Kim
South Korea
Review: “The Bad Guys: Reign of Chaos” Pits Korean Cops & Gangsters Against Japan
By
Richard Yu
South Korea
Review: “Exit” Stars SNSD’s Yoona in A Lighthearted Disaster Flick
By
Richard Yu
South Korea
Review: “The Gangster, The Cop, The Devil” Blends Korean Crime and Justice
By
Anthony Kao